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10 Seriously Underrated Video Game Intros That Deserve Another Look

This intro is difficult to describe. As is the case with the first game, Bayonetta 2 will leave newcomers more than a bit confused: the sexual objectification is anything but subtle, the visuals are near incomprehensible and while the action choreography is MCU levels of slick you’ll still be completely baffled as to what is going on.

It gets worse. The game waltzes into the prologue with all the laid-back, tongue-in-cheek espièglerie of a Sean Connery Bond, introducing first not the titular character but a man struggling to carry a mountain of presents. The first sight we have of Bayonetta herself is of her enjoying a lollipop while plopping yet more presents onto the pile.

But then, on a dime, the mood shifts. Imminent danger and Bayonetta’s intelligence both are communicated through a single perceptive glance, her keen wit and bewitching charm through some genuinely sharp banter, and her close friendship with Jeanne through the ease in which they interact. Quickly you realize that far from being dumb the game is being very, very clever.

And when the game proceeds to show Bayonetta’s raw power by having her literally punt a jet into the air, and then ups the spectacle to eleven by taking the battle to the New York skyline using the fighter as a stage, the in-house remix of ‘Fly Me To The Moon’ playing in the background, you understand perfectly what Bayonetta 2 is all about.

And there’s a great big Cheshire Cat-like grin on your face when you do.